This rack-mounted mix core is perfect for multi-channel performance amplification and recording. This is a great tool for choir performances with multiple mics, for large meetings, orchestra recordings and any other settings. This mix core is in great functional shape, but has sustained some cosmetic damage over the years.
A couple of little dings and scratches on the surface. Because these workhorses are designed for travel, the housing sustains all of the damage, keeping the contents in perfect working order. This device works as well as it did the day we bought it. Equally at home in houses of worship, schools, broadcast facilities, live venues, touring rigs, and recording studios. Inputs and Outputs32 locking XLR inputs, each with:Recallable XMAX Class A mic preamps.
Stereo tape input (RCA jacks). 16 XLR line-level Mix outputsFour 300 ms alignment delays on the last four Mix outputs. 2 DB25 jacks mirror 16 line-level Mix outputs. 3 XLR main outputs (left, right, mono/center) with analog trim pots. S/PDIF digital output on removable option card.Headphone output with volume knob and selectable source. 1x1 MIDI I/O (for future implementation). Channels and Buses32 internal channels. 25 mix buses16 aux mix buses. 3 main mix buses (left, right, mono/center). 4 internal FX buses (2 reverb, 2 delay). Fully integrated, continuously bidirectional, 52-in/34-out, FireWire 800 direct recording interface (24-bit, 44.1/48/88.2/96 kHz). Cascadable to 48 or 64 internal channels via AVB connection to additional StudioLive®. UC Surface Live Mixing and Control SoftwareDesigned specifically for live sound mixing. Multiplatform support for Mac®, Windows®, and iPad®Windows 8 multi-touch-compatible for large touchscreen mixing (touchscreen not included). Flexible and expandable computing options: Use a laptop with or without a touchscreen, an iPad, or any combination. Contextual-based navigation for quick, intuitive access to all mixing functions. 8 Mute Groups with All On and All Off.
Scene Store and RecallGlobal Scene Storage: all current StudioLive RM settings. Up to 99 at a time. 8 Quick Scenes for instant scene save/recalllike speed dial for scenes. Customizable naming (for example, "Saturday Gig" or "Main Worship Service"). Individual channel-strip setting storageUp to 100 at a time, plus.50 channel-strip presets included for drums, bass, guitars, keyboards, and vocals. Copy and paste among channels and buses. Can be saved as user presets.
Can be browsed by category (Drums, Vocals, Horns, Guitar, Bass, and more). Presets filtered by Channel Types. Quickly audition presets on the fly.
Edit auditioned preset before loading. Exit Audition mode with out loading to return to previous settings. Save and load presets on all platforms including iOS. Filter DCAsMore than 30 groups.Automatic group creation using Channel Types. Security features to monitor and restrict access to the mixers controls. Artist full-featured digital audio workstation software (Mac/Windows). QMix®-UC aux-control software for iOS® and Android available free from Apple App Store, Google Play, and Amazon App Store.
Nimbit online direct to fan marketing, sales, and distribution service. Networking ConnectionsUSB jack and included Wi-Fi LAN adapter provides direct wireless control (using a router).
2 FireWire S800 ports and 1 Ethernet control port with AVB Networking on removable option card. FireWire ports fully compatible with Apple Thunderbolt to FireWire adapter. SL-Dante-Mix option card available separately. Signal ProcessingDual Fat Channel signal processing on all channels and buses with:Variable highpass filter -6 dB/oct.
Sweepable from Off to 1 kHz (main channels and aux's only). Variable lowpass filter on the mono/center bus. 4-band fully parametric EQLow EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking. Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0.High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0. High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking. Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release. Gate with sidechain: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec.
Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function. Limiter: Variable Threshold -28 dBfs to 0, :1 Ratio.Stereo link for input channels and aux buses. Polarity reverse (input channels only). Quick A/B comparisons of two complete sets of Fat Channel settings for each channel and bus. 15 graphic EQs (for the first 12 aux buses plus the Main left, right, and mono/center buses). 4 32-bit floating point effects processors (2 reverb, 2 delay) on dedicated buses.
Hardware Controls32 LED meter grid. Front-panel Mute All button temporarily mutes all inputs and outputs. +48V Meters button to display phantom power assignment on the meter grid. Headphone source selection between Main and Cue. StudioLive CS18AI AVB Control Surface available separately.
DigitaliaHigh-definition Burr-Brown analog-to-digital converters (118 dB dynamic range). Unlimited-headroom, 32-bit floating point, digital mixing and effects processing. Internal sample frequency 44.1, 48, 88.2, 96 kHz.
The item "32 Channel Rackmount Mixcore Presonus studiolive RM32 AI pro orchestra sound" is in sale since Saturday, August 7, 2021. This item is in the category "Musical Instruments & Gear\Pro Audio Equipment\Live & Studio Mixers".The seller is "josephwilliamclarke" and is located in San Diego, California. This item can be shipped to United States.